Famous People I’ve Seen On the Streets Since I Left Home

The new irregular series


Who: Mischa Barton (twice). You know, the skinny one from the O.C.
Where: Once in a restaurant in Madrid, and six months later at a Shins gig in London where we stood next to eachother.

She is actually quite stunning. But I find it interesting how many girls say this too. The ones who were with me when I saw her have all commented. She is also very tall, and I think possibly the most famous person on this list.


Who: The dude who died at the end of the first Lord of the Rings, in that really long drawn out scene.
Where: Just at the pub, on his own. Having a pint. No trace of over acting at all. He looks a bit like my mate Simon.


Who: J Mascis of Dinosaur Jr fame.
Where: Near Denmark Street in Soho, the guitar capital of London. I was very much going to go up and say hi and say how I liked his music…until two kids beat me to it. So I walked on, as if I was meaning to walk past the whole time.


Who: Mike Skinner of the Streets
Where: PC World, Kensington. I was too distracted with my broken laptop to see what he was doing.

Who: The dude who gets picked on in fat fighters, that recurring sketch in Little Britain
Where: Virgin Megastore, Oxford St. I didn’t see what he bought. Maybe Little Britain on DVD.

Who: The entire cast of the IT Crowd
Where: a little cafe between work and home. I love that show. It was very exciting actually. I noticed one of them first, then the others. I don’t know about you, but I’d like to imagine that people in TV shows are all friends. To see that they are was great.

I’m sure there’s more but, you just don’t get this type of celeb watching in Sydney.

More when I remember…

Danny
London

The Shins in Monmartre

So things come together

My favourite band at the moment, my favourite place in the world.

I have no idea how this came about, but wow, for me, what a clip.

I know exactly where they are. And those two songs, gone For Good and Turn On Me are two of my favourite songs of theres (plus Alone Again Or!).


Just lovely and coincidence ridden. It’s like it walked straight out of my fantasy.

Danny

I don’t want to die at Euro Disney

I don’t know what to write about Paris this time.

It was the most amazing, inspirational couple of days. And I don’t even know how to share it. From the people I met, the places I saw, the silly things I did…it was all amazing.

Caught up with old friends, recreated Richard Linklater’s Before Sunset, found the hotel used in Charade…and trying not to let the Da Vinci Code ruin it for me.

I didn’t want it to end. My French is getting better. The food was out of this world. And the weather! 28 glorious degrees, beautiful women everywhere. Sleeping on the grass, crepes avec jambon et fromage, 1 euro wine…

But it was more than that. It was just refreshing, I had enough time to just wander and think about stuff. Finally hit on something to collect in my travels. Those big old fashioned travel stickers you see on old suitcases, but they will be for my guitar. Anyway, I just wanted to bookend this trip with another post.

Suffice to say it was alright. Suffice to say it wasn’t bad.

Me at the Louvre


Danny
London

Paris again…

Bonsoir!

I’m back in Paris.

I’m jaywalking like I own these streets.

Gare du Nord is my albtross. It’s the only place in recent memory where I felt so unsafe, uncomfortable and undone.

Today I walked through it without a hesitant step. I would have kicked any black cats that would have thought about crossing my path.

It is the hottest I’ve been anywhere since I left Australia. I cannot remember the last time I well and truly sweated!

Today there were hundreds of people on the steps of the Sacre Coeur, just sunbaking.

I know it’s a cliche for someone like me to love Paris but I do. I even love the mess on the streets. It’s like the living room of the locals. You leave a bit of a mess because it is yours.

I have a couple of more days here. I am thinking of joining the pretty young things on the grass and just daydreaming my hours away on the Parisian sun.

Oh and French women, who looked beautiful in summer… Well when they pull out their lighter tops for winter…oh my. I’m not sure what will make me faint first, the heat or the cleavege.

I’m stumbling home and all I can think is I have to get residency in London, so I can live in Paris.

Danny
Paris

Heavens to Betsy now we’re late twentys…

I know I hark on about it, but growing old has been on my mind a lot.

Something Craig and I have discussed often is that we would get better with age. The early twenties didn’t fit me right. Maybe it doesn’t fit many people right. I found my own niche, had fun, hard tough times, struggled with what this blue and green ball was all about…but it didn’t really feel like I was a part of things. i think they call that ‘Indie’.

One of my life’s greatest heroes, Tim Rogers of You Am I, told me once that he never wanted to be younger, always older. I feel the same. When he sings about watching old men in pubs and the respect and sadness of age really hits me.

I’ve also been listening to Tim’s first, brilliant solo album What Rhymes With Cars And Girls, a lot. It’s a very mature work for Tim, and written and released at a time when he had broken up from the major relationship of his twenties, and just past his first flush of success. It’s reflective, funny, and sad about growing old, all those drugs he didn’t take anymore, but he doesn’t want to go back either.

I am, however, really loving the twenties, which is what I wanted to write about anyway. Is it me, or does it feel like this is our time? Sure you get the odd exception where young-uns like the Arctic Monkeys still set the scene. But it seems like our culture’s youthful voice isn’t actually that youthful at all.

There are many reasons for this. We are staying in school longer for one. Society is so fragmented it’s harder to start a scene. Or maybe, I’m just older now, and very few 19 year olds have much to say to me. But it does seem like we a target market of our own. You look at things like Word magazine, movies like Little Miss Sunshine. We, the Bourgeois children of Woody Allen.

A friend of mine made a movie. I saw it last night and it was fantastic. Another friend of mine made a fantastic album, of richness and depth and actually sold a truckload of it too. Another is a leading scientist in his field. I’ve been meeting matte painters, novelists, actors…all of us in our early twenties, here in London, living it up.

Things are going really well right now, and I feel like I’m taking the biggest gulps from the cup of life I ever have. And as much as I’m happy and how I feel like this time in my life is a really important one, I look at my friends, I see them sitting around my living room, at the pub, us out in the streets of London, and I think – this is their time too. It’s a strange feeling, and someone needs to give it a name.

I love all the songs on What Rhymes With Cars and Girls – but one of my current faves is the duet with Sally Datsey of Tiddas, a song called Up-A-Ways, about travelling. The line is

Those wandering dues sound oh so good in a tune
But you need some place to waffle all that mud off your boots.

Danny Yau
London

ps. Paris, AGAIN, this weekend.

Sleeping Lessons

I am sleepless again, so I thought I’d write something. Quick note: life is good and I’ll tell you all about it later. Right now, something else I’ve been meaning to write about.

The Shins are going to go down as my favourite band of the 00s.

It’s heartening and inspiring that, after all these years, I only just saw the greatest gig of my life. And that the next one around the corner may even be better.

I’ve seen the Shins a handful of times. And, they have been one of the worst live bands I have ever seen. To turn around and say they are now one of the best…well, that’s one big almighty turn around.

I love how a band can bookmark a life.

My first encounter with the Shins was through a band called Beachwood Sparks. In a lot of ways, the Shins stole their thunder. Out of nowhere, that dated grunge label SubPop had signed a pretty cool band. And then they signed this other one, one that people told me sounded like Love (the 60s band). Weird little indie album cover. You know, I didn’t even buy it. Someone sent it too me, when I was working at a community radio station.

The album is called Oh! Inverted World. I listened to it and liked parts of it. But it wasn’t as good as Beachwood Sparks…

Hanna really loved the first song, ‘Caring Is Creepy’. And it’s pretty good. I remember Craig and me at some girl we just met’s house, at around 2am on a random night, her trying to find some demo of some guy she used to go out (he wrote a song about her) And we were listening to something, and Craig and I discussing the Shins, and him quoting some lines I’ve never noticed before…

Lucked out, found my favourite records
Waiting for me at the Birmingham Mall.
The songs that I heard, the occasional book
Are all the fun I ever took.

I don’t think I ever heard lines that summed up my upbringing and teenage life so well before. The record still didn’t really hit me though. Yeah, it was VAGUELY Love-esque, but there was one more part of the puzzle I didn’t have to unlock that first album.

I don’t even know who it was now but some guest host on Rage introduced ‘New Slang’. And they just said that this clip was amazing, and how it referenced some 80s album covers. And did it ever. Oh my. Let It Be. New Day Rising. Double Nickels On A Dime. And other more random ones. Faithfully recreated in this silly little film clip with the saddest melody. By then the record was pretty old but yeah, I was all ears for the next one.

And for Chutes Too Narrow again, after a slow start, it won me over. And by won me over, I mean bowled me over completely. It was my early 20s album. To it’s raw and angry-ish sounds I felt my highest and my lowest.

But it was the songs itself. It towers over other albums that soundtracked that part of my life. The mystery of the lyrics, the weird chord changes and rhythms. That terrible/wonderful mix. The wisdom. The images. And the great record cover – so much better than the first.

It’s album for the early to mid twenties. It’s when life gets a bit more complicated, and you need a voice to reflect that. As the relationships in my life got more grown up, the more Chutes Too Narrow spoke to me.

The songs of love – ‘Gone For Good’, ‘Kissing the Lipless’, etc, just struck a chord so much more than say, the love songs of Oasis did for me 7 years earlier. There was a smartness to them, but also a maturity. Something that I call a gentleman-ness, that you can find in the music of Ray Charles. When Ray sings a heartbreaking ballad, you know he’s being a gentleman about it, and not being a whiny singer-songwriter.

But it was ‘Mine’s Not A High Horse’, a brilliant pop song about arguments and close-mindedness that really struck me. In ‘So Says I’, Mercer regretfully chronicles our own violent natures. For an optimistic kid moved out of home and living in the melting pot of cultures that is Newtown NSW and the indie rock scene, those songs meant a lot.

I remember pretty much killing that record. My girlfriend at the time used to listen to it all the time, and we would one-up eachother with the details we could find in it. She explained to me the line;

Just a glimpse of ankle and I
React like it’s 1805

It’s about perving on girls. We think. Anyway, we listened to that record as we drove through NSW that Christmas. Later, I got the record for a friend who knew all I knew about music and more. He later said it was his favourite album ever. And as much as I’m loving the new one, I think it’s my favourite too.

But like I said, it’s amazing that when you think you have all your favourite things worked out, a record and a band can come along and top your personal chart. I have been listening to the Shins every day.

The new record is fantastic, obviously. The lyrics are amazing. The production is very different, but hardly commercial radio fodder. Early highlights are’ Turn On Me’, which sounds like Roy Orbison, and ‘Girl Sailor’. That 50s backbeat is used in a number of tracks and apparently a big influence on this record. And the single ‘Phantom Limb’ – geez, what a song. If you’ve never heard of this band and decided to make your way all the way through my rambling and down to here, I suggest you seek out this track.

All I know is that it’s already the soundtrack to this part of my life. I think of my through those songs now. I’ve been sitting with Charlie Brown and working out the chords. And I’m in love with a band completely again. I’m starstruck. I’m 14. I want to join the fanclub. I want to play the record to all my friends.

I hope they get another record out before the decade ends. And when I look back at those ten years, the memories will sing with the voice of James Mercer.

Danny Yau
London

Definitivism

This is actually an old piece that I wrote a couple of weeks ago but I’ve decided to publish it.

This is a term I’ve made up, and it’s something I think about a lot. Definitivism is the degree of how definitive something is; that is the best and most effective run of a recurring, serialised medium. You know, it’s when a TV show was the best.

For example, the most definitive era of Superman is when he’s still keeping a secret from Lois, when Jimmy is still a photographer and Perry’s the boss. For many people, high school Buffy is THE Buffy. Cheers with Diane. Etc.

So it’s the era that everything else is judged by. And not necessarily the first part of a run either. I’m sure you can list plenty of your own. Now, there’s a reason I bring this up.

Back in 2002


This photo dates back from 2002. I’ve never seen it til last week when my friend Daniela sent it to me. I’m working for the same company I’m working at now, via a detour and in another country. I was very happy then, and I wonder if that, 2002, will be the definitive period of my life.

It happens in the 20s, right? That’s when you make your mark, write your story, find your path. I look at myself in that photo and all I have are good memories and dreams that never came true.

This photo fascinates me. It mirrors so much of what I’m doing now, and so much of what I have been. Although my hair is long and my stomach is fat.

I’m still desperate to find sunglasses like the ones I’m wearing there. Aviators that are rimless. Bought for five bucks at a BDO in Melbourne. That jacket has since developed a large hole. The shirt betrays a man in love with alt-country music. That backpack is with me right now in London, holding the laptop that you see in that dock below that big monitor. The yellow flyer to the left is for a screening of the Wilco movie I Am Trying To Break Your Heart, a band I still love.

In the far right bottom is a box of digibetas that I still don’t know what they are for. The photo pinned up on the very right is a picture of me, Jon and Linkin Park which I still have. Bec sits on your very right. We would talk a lot. I don’t know if it was my day to get the tea or hers, but the fact there are two mugs suggests it’s the afternoon. Ah, so many memories in that photo.

So back to Definitivism. Maybe this was the defining era for me, right there. It sometimes seems like I’m trying to get back to that point. I think maybe that’s why my last job was so disappointing. It was like Buffy with Riley in it. It just wasn’t the same.

Anyway, so I’m kind of back on course with things I think. It’s not the same. The budgets are a bit bigger. The cast are a little older. What we have here is Star Trek: the Movie. Not definitive, but still an important part of the overall story.

And I’m not saying I’m never going to be that happy again. But the time in my life when this photo was taken, was a golden period. I don’t miss it, but I remember everything about it, and think about it a lot.

Anyway, it’s just funny cos I’m wearing sunnies indoors.

Danny
London

That Last Post.

Funny how the word ‘Last’ has two meanings (actually probably more). Last can be the end of something. Or last can mean the continuation of something.

I haven’t changed my mind that I am taking a break from posting here. But some people have emailed me after that last post and…yeah there are reasons to keep going too. So…not the last then, in the first sense.

But it is the last post in that I feel like what I said in it meant a lot to me. It built up over months and years of my life about what my beliefs are, what and how I think, and basically being self centred and egotistic.

So when I die, and they find that folder on my computer called “Things To Publish When I’m Dead”, that Last post would make a good ending, even though it’s hopefully not even halfway to the end. In the meantime, a big break from this blog is called for. There’s been enough deep and meaningfuls, really.

Danny

What We Talk About When We Talk About Love/I’m A Believer/Let It Go

My final post. For Beth.

I saw Peter Tork of the Monkees tonight. He performed with his band, the Shoe Suede Blues, and it’s not just a silly pun. You can tell he is a man in love with the blues. And also, in love with music.

I had a long talk about beliefs with Beth a while ago, and it’s been on my mind. To the point where I came up with my perfect epitaph – “I’m A Believer.” I want it on record that when I leave this world that I want that written under my name and place of birth.

Let’s look at that phrase. It’s synonymous with one of the great pop songs of all time. And pop music is something I have believed in all my life. It captures me, inspires me, warms me and thrills me. Even tonight, in the Notting Hill rain, I passed a record shop and looked in the window, and stared at a copy of the Shins record on vinyl.

“I’m A Believer” is also one of the greatest love songs of all time. One of the great downbeat-verses-then-euphoric-choruses. The man has been saved. And love, and love songs, has also played a huge part in my life. Love in all it’s different meanings…friends, family, women, strangers and country. And more.

Lastly, there is the word Believer. I definitely am one. I use no facts to shape the way I live my life. I just believe. In music, in fate, in love and in life. I just do. With no basis. I would have made a great religious zealot if someone had got to me early. Someone other than the Beatles.

So I’m thinking about all these things. It’s coming up on Valentines day, and I realised that love is an unexplainable thing, and I live in a life that tries to explain it. I’ve written love songs, and I’ve listened to them all my life. My job is, essentially, to get more love songs out there. But they take tinted photos of love. It’s not real, and it never is. Paul Kelly once sang… “I’ve never heard a love song yet/That I can call yours and mine.” I think it’s because none exist. If you can describe what makes you love a person, in any definition of the word love, then it’s not love.

Same, in many ways, with death. There is a dictionary definition, but it’s also inexplicable. I could write forever about those two topics, and you will never, ever, see it my way. Which is why this blog is ending. I’ve realised that leaving a record of my thoughts here, for the public, is a hopeless idea. I could never describe to you the things I see, the way I’ve felt. It’s mine and it will never be yours.

The other reason is the excitement is over. I started this blog because my life was at a point where there were things to write about. It was a time to write a diary, because every day was different. Now it’s not the case, as days bleed into eachother and I fall back into a rhythm of regular life.

So it’s time, again, to let it go. Send me an email if you want to hear from me. But none of my life will be on here for public record again. You’ll never get it. And it’s not that interesting anyway. And the past, Australia, is far away. I’m sure I’ll keep in touch with many of you as I have done, but this has to stop.

We should be ashamed to think we know what we talk about when we talk about love. Or life. Or death. Or anything. But on the other hand – I’m a believer. I believe in all those things, without facts, on pure faith and just, you know, something to believe in. Just to keep going. So I’ll believe, and not feel ashamed.

Peter Tork played I’m A Believer tonight, to a small crowd, because he is still drawn to it. He still wants to play music. He still believes. I do too.

Danny Yau
London