Where I dig into something I’ve not heard before, from the reviews section of old Mojo Magazines, on an irregular basis.
The Wonder Stuff
If The Beatles Had Read Hunter…The Singles
1994 – Polydor
I would count Brit Pop as my big light bulb moment of music. I loved chart pop and a little bit of grunge, but the war between Blur and Oasis – and the rush of bands that included Ash, Supergrass, Pulp and more – was the first music that was mine.
Which is unfair to Brit Pop because It was already on its second or third wace by 1994/1995. The few years before that are still largely a mystery to me, although I’ve heard of a lot of those bands. Take the Wonder Stuff, who had several chart hits and four albums (3 of them bothered the top 10) and had broken up and released a greatest hits before ‘Common People’ was even recorded.
My knowledge of the Wonder Stuff can be summed up thus;
– ‘Dizzy’, the friggin’ awesome single they did with Vic Reeves in 1991
– ‘Size Of A Cow’ and ‘Unbearable’ on various compilations
– The singer has long, curly hair
The kind of perfect amount of knowledge to bring in a Greatest Hits, then.
The title comes from a review of the band, (the Hunter being Hunter S Thompson) and it is a very generous assessment. They don’t have the clean lines of the Beatles, but they do have a lot of thrash-it-out energy, which is the most exciting part of this compilation.
There seems to be no order with this set, and I hate Greatest Hits collections that do this. Why? Why not just go chronological? Tell me a story. I don’t know your songs, and putting it in some biggest-hit-to-obscure-songs order helps me nothing. It is a bit of a jumpy listen straight through – production values and instrumentation (the violin in particular) come and go.
There’s a lot of catchy, fun stuff here, regardless. The songs I knew still shine. ‘Welcome To the Cheap Seats’, ‘Don’t Let Me Down Gently’, ‘Caught In My Shadow’, ‘A Wish Away’ – all lovely little pop confections. But there is filler too – a very British thing to have so many singles over a short career. The quieter stuff, the country-ish stuff, are nice but unremarkable.
(Here’s Welcome To the Cheap Seats, album in a longbox and Paul Schaffer on keys and everything)
Unremarkable also, because of history. Maybe it is my age bias, but the aforementioned Blur and Pulp would sweep in and add this level to artistry that would bury this band and other similar bands. I don’t know about the Thompson comparison – I don’t know if the lyrical ambitions are that literary. Maybe these were cool lyrics in 1994, but by 1996 they were pop fluff.
At some point, I’ll probably start deleting some tracks off the iPod and be left with like 10 absolute solid thumpers. I don’t know if anyone talks about these guys anymore, and history is written by the victors. They missed to Brit-Pop movement going mainstream and international, although they have reformed and put out new albums. They also look dated. They had some great songs, but they just didn’t have it.
One last note – ‘Dizzy’ is still an amazing track. One of the very best.