To end another wonderful decade of great music, I’m going to write about ten albums from each of the last ten years, that are either great, or hold some sort of personal significance. A musical kiss off to 00s.

2008 – #7. Vampire Weekend – Vampire Weekend

Several waves of hype had come and gone before I heard this record. None of that story, which seems to matter to some people, mattered to me. Vampire Weekend‘s self titled debut was a breath of fresh air.

The whole albums seems to drift by like a dream. Less than 35 minutes long, you’d be lucky to make sense of even one rhyming couplet. There’s an afternoon sunshine to this record, and an innocence. But otherwise, it’s a marvelous blur.

I love the vibe too. I know a lot of people hate them for it, but I love the Wes Anderson type pretensions. The William Eggleston type photo. All those posh clothes and singing about butlers. It’s too oblique to be commentary. It’s just the colours they use.

There’s only 11 songs on this thing, and I love them all. But this is one of those happy cases where all my true favourites became singles – Oxford Comma, A-Punk, Mansard Roof. Somehow, what I hear in these guys is the same as what everyone hears – I think.

It’s a great pop record. It’s trying something new, yet it doesn’t try too hard. It’s going to be a delight to hear this in later years. It sounds fresher with every listen. Just be thankful the wave of imitators haven’t hit yet.

If you’re a fan of the BBC series IT Crowd, you’ll know Richard Ayoade as Moss, the fancy haired, spectacled misfit. You might know he is a stunning director, having made some of my favourite clips in the 00s. Oxford Comma is one of his best – a Wes Anderson impersonation.

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